The English Patient

This made me smile when i read it in Longsight yesterday. This is my preferred mode of conversation, from Michael Ondaatje’s The English Patient. Here is our Hungarian desert explorer, badly burnt in a plane crash, evading his interrogators:

He was interrogated again. Everything about him was very English except for the fact that his skin was tarred black, a bogman from history among the interrogating officers.

They asked him where the Allies stood in Italy, and he said he assumed they had taken Florence but were held up by the hill towns north of them. The Gothic Line. “Your division is stuck in Florence and cannot get past bases like Prato and Fiesole for instance because the Germans have barracked themselves into villas and convents and they are brilliantly defended. it’s an old story - the Crusaders made the same mistake against the Saracens. And like them you now need the fortress towns. They have never been abandoned except during times of cholera.”

He had rambled on, driving them mad, traitor or ally, leaving them never quite sure who he was.

Now, months later in the Villa San Girolamo, in the hill town north of Florence, in the arbour room that is his bedroom, he reposes like the sculpture of the dead knight in Ravenna. He speaks in fragments about oasis towns, the later Medicis, the prose style of Kipling, the woman who bit into his flesh. And in his commonplace book, his 1890 edition of Herodotus’ Histories, are other fragments - maps, diary entries, writings in many languages, paragraphs cut out of other books. All that is missing is his own name. There is still no clue to who he actually is, nameless, without rank or battalion or squadron. The references in his book are all pre-war, the deserts of Egypt and Libya in the 1930s, interspersed with references to cave art or gallery art or journal notes in his own small handwriting. “There are no brunettes,” the English patient says to Hana as she bends over him, “among Florentine Madonnas.”